
< INFRA >
|
CONCEPT, DIRECTION AND CHOREOGRAPHY |
WAYNE MCGREGOR |
|
|
MUSIC |
MAX RICHTER |
|
|
SET DESIGN |
JULIAN OPIE |
|
|
COSTUME DESIGN |
MORITZ JUNGE |
|
|
LIGHTING DESIGN |
LUCY CARTER |
|
|
STAGED BY ANTOINE VEREECKEN |
||
*COMMISSIONED BY THE ROYAL BALLET.
< The Rite of Spring >
|
MUSIC |
IGOR STRAVINSKY |
|
|
CHOREOGRAPHY |
GLEN TETLEY |
|
|
SET·COSTUME DESIGN |
NADINE BAYLIS |
|
|
LIGHTING DESIGN |
JOHN B. READ |
|
|
STAGER |
ALEXANDER ZAITSEV |
|
|
CONDUCTOR |
MIN CHUNG |
|
|
ORCHESTRA |
KOREAN NATIONAL SYMPHONY ORCHESTRA |
|
*YEAR 2026: GLEN TETLEY CENTENARY CELEBRATION

< INFRA >
|
CONCEPT, DIRECTION AND CHOREOGRAPHY |
WAYNE MCGREGOR |
|
|
MUSIC |
MAX RICHTER |
|
|
SET DESIGN |
JULIAN OPIE |
|
|
COSTUME DESIGN |
MORITZ JUNGE |
|
|
LIGHTING DESIGN |
LUCY CARTER |
|
|
STAGED BY ANTOINE VEREECKEN |
||
*COMMISSIONED BY THE ROYAL BALLET.
< The Rite of Spring >
|
MUSIC |
IGOR STRAVINSKY |
|
|
CHOREOGRAPHY |
GLEN TETLEY |
|
|
SET·COSTUME DESIGN |
NADINE BAYLIS |
|
|
LIGHTING DESIGN |
JOHN B. READ |
|
|
STAGER |
ALEXANDER ZAITSEV |
|
|
CONDUCTOR |
MIN CHUNG |
|
|
ORCHESTRA |
KOREAN NATIONAL SYMPHONY ORCHESTRA |
|
*YEAR 2026: GLEN TETLEY CENTENARY CELEBRATION
Wayne McGregor’s virtuoso
choreography is set to Max Richter’s haunting score in a complex portrait of
human relations.
The title of Wayne McGregor's ballet comes from the Latin word for 'below' and
the work presents a portrait of life beneath the surface of the city. McGregor
continued his collaborations with leading creative figures and worked with the
British artist Julian Opie to stage the work. Infra had its premiere in
2008 and was dedicated to Monica Mason 'in celebration of her 50th season with
The Royal Ballet'.
An LED screen runs the width of the stage, along which there is a mesmerizing flow of Opie's walking figures. Underneath, 12 dancers move through solos, duets and ensembles. They are accompanied by Max Richter's elegiac score, which mixes melancholy string melodies with electronic sounds. The ballet contains many arresting moments: six couples dance duets in six squares of light and a crowd surges across the stage, unaware of one woman’s private grief. Throughout, McGregor exhibits the emotionally resonant and groundbreaking choreography that has placed him at the vanguard of contemporary ballet.