Double Bill_McGregor & Tetley Double Bill_McGregor & Tetley

2026.05.08 - 05.10 FRI 17:00 / SAT·SUN 15:00 GS Arts Center R- 80,000KRW / S- 50,000KRW / A- 30,000KRW

< INFRA >

CONCEPT, DIRECTION AND CHOREOGRAPHY 

WAYNE MCGREGOR

MUSIC

MAX RICHTER  

SET DESIGN 

JULIAN OPIE  

COSTUME DESIGN 

MORITZ JUNGE  

LIGHTING DESIGN 

LUCY CARTER  

STAGED BY ANTOINE VEREECKEN


*COMMISSIONED BY THE ROYAL BALLET.




< The Rite of Spring >

MUSIC

IGOR STRAVINSKY

CHOREOGRAPHY

GLEN TETLEY

SET·COSTUME DESIGN

NADINE BAYLIS

LIGHTING DESIGN

JOHN B. READ

STAGER

ALEXANDER ZAITSEV

CONDUCTOR

MIN CHUNG

ORCHESTRA

KOREAN NATIONAL SYMPHONY ORCHESTRA


*YEAR 2026: GLEN TETLEY CENTENARY CELEBRATION


Double Bill_McGregor & Tetley Double Bill_McGregor & Tetley

2026.05.08 - 05.10 FRI 17:00 / SAT·SUN 15:00 GS Arts Center R- 80,000KRW / S- 50,000KRW / A- 30,000KRW

< INFRA >

CONCEPT, DIRECTION AND CHOREOGRAPHY 

WAYNE MCGREGOR

MUSIC

MAX RICHTER  

SET DESIGN 

JULIAN OPIE  

COSTUME DESIGN 

MORITZ JUNGE  

LIGHTING DESIGN 

LUCY CARTER  

STAGED BY ANTOINE VEREECKEN


*COMMISSIONED BY THE ROYAL BALLET.




< The Rite of Spring >

MUSIC

IGOR STRAVINSKY

CHOREOGRAPHY

GLEN TETLEY

SET·COSTUME DESIGN

NADINE BAYLIS

LIGHTING DESIGN

JOHN B. READ

STAGER

ALEXANDER ZAITSEV

CONDUCTOR

MIN CHUNG

ORCHESTRA

KOREAN NATIONAL SYMPHONY ORCHESTRA


*YEAR 2026: GLEN TETLEY CENTENARY CELEBRATION


INFRA

Wayne McGregor’s virtuoso choreography is set to Max Richter’s haunting score in a complex portrait of human relations.


The title of Wayne McGregor's ballet comes from the Latin word for 'below' and the work presents a portrait of life beneath the surface of the city. McGregor continued his collaborations with leading creative figures and worked with the British artist Julian Opie to stage the work. Infra had its premiere in 2008 and was dedicated to Monica Mason 'in celebration of her 50th season with The Royal Ballet'.


An LED screen runs the width of the stage, along which there is a mesmerizing flow of Opie's walking figures. Underneath, 12 dancers move through solos, duets and ensembles. They are accompanied by Max Richter's elegiac score, which mixes melancholy string melodies with electronic sounds. The ballet contains many arresting moments: six couples dance duets in six squares of light and a crowd surges across the stage, unaware of one woman’s private grief. Throughout, McGregor exhibits the emotionally resonant and groundbreaking choreography that has placed him at the vanguard of contemporary ballet.



The Rite of Spring

A harbinger of modernity to ballet; sensual moves that awaken the instincts

"The Rite of Spring" is known for its complexity, overloaded with metaphors and symbols. However, Glen Tetley's contemporary recreation of the work is beautiful in its simplicity..

He unwinds the conflicts of contrastive emotions in "The Rite of Spring," like terror and aspiration, sacrifice and coercion, death and birth,with a creative plot and contemporary choreography style.

The lead roles—goddess of the earth, god of the earth, and the sacrifice for the rite—are key figures that develop the narrative of the work, full of abstraction and symbolism.

The disturbing primitive ritual of the ancient Slavs in its original version has been recreated into a universal human ritual to overcome fear.

Tetley's recreation contains common values shared by humanity, depicted with the modern virtuosity of irregular, odd steps.

Since premiering in 1919, a number of choreographers have tried to reproduce the work, but without much success.

Amidst such circumstances, it is quite significant that prestigious ballet corps, including the Stuttgart Ballet, the American Ballet Theatre, and the Huston Ballet have presented Glen Tetley's "The Rite of Spring."