Lady of the Camellias카멜리아 레이디

2026.11.10 - 11.15 예술의전당 오페라극장

 

Music

 Frédéric Chopin

Choreography, Lighting and Staging

 John Neumeier

 Set and Costumes

 Jürgen Rose

 

 

· A ballet by John Neumeier based on the novel by Alexandre Dumas fils

· World Premiere: November 4, 1978, Stuttgart Ballet, Württemberger Staatstheater, Germany

카멜리아 레이디Lady of the Camellias

2026.11.10 - 11.15 예술의전당 오페라극장

 

Music

 Frédéric Chopin

Choreography, Lighting and Staging

 John Neumeier

 Set and Costumes

 Jürgen Rose

 

 

· A ballet by John Neumeier based on the novel by Alexandre Dumas fils

· World Premiere: November 4, 1978, Stuttgart Ballet, Württemberger Staatstheater, Germany

Synopsis

The ballet takes place during an auction. 

The story evolves as a series of memories recalled from various points of view – Armand’s, his Father’s, and Marguerite’s.

All actions during the auctions are indicated in italic.



Prologue

· Excerpt from 2nd mov. Largo from the Sonata No. 3 in b minor, Op. 58 (Piano: on stage)


Marguerite Gautier, once the most desirable courtesan in Paris, has died. The complete furnishing of her luxurious apartment are to be disposed of by auction. Carrying Marguerite’s diary, Nanina, her loyal servant, bids the place farewell. Among those inspecting the items is Monsieur Duval, whose son Armand rushes in frantically. Overcome by memories, he collapses.



Act 1

· Piano Concerto No.2 in f minor, Op. 21 (Piano: in the pit)


As Monsieur Duval comforts him, Armand tells his story.

It begins in the Théâtre-des-Variétés, during a performance of the ballet Manon Lescaut, in which the famous rococo courtesan deceives Des Grieux with numerous admirers. In the audience, Marguerite Gautier is disgusted by Manon’s frivolous infidelity. Armand Duval, who has long admired Marguerite, is introduced to her by Gaston Rieux. Marguerite makes fun of Armand’s awkward sincerity. As he follows the ballet, Armand fears that his own future may reflect Des Grieux’s sorrowful fate. After the performance Marguerite invites Armand to her apartment along with his friend Gaston, the courtesan Prudence and her own escort, the wearisome young Count N. Annoyed by the jealous Count, Marguerite suffers a coughing attack. Armand follows her to her bedroom, offers his assistance, then confesses his love. Marguerite is moved by his sincere passion. However, aware of her fatal illness and needing the comfort of luxury, she insists that their affair must remain secret.

While Marguerite continues to lead her hectic life, hastening from one ball to another, from one admirer to the next, from an old Duke to the young Count, Armand is always there – waiting. When Marguerite departs for the idyllic country house the Duke had put at her disposal – he follows her.

 



Act 2

· Valse in A flat Major from Trois Valses Brillantes, Op. 34 No. 1 (Piano: on stage)

· Trois Ecossaises, Op. 72 (Piano: on stage)

· Valse in F Major from Trois Valses Brillantes, Op. 34 No. 3 (Piano: on stage)

· 2nd mov. Largo from the Sonata No. 3 in b minor, Op. 58 (Piano: in the pit)

· From 24 Préludes, Op. 28 (Piano: in the pit)

  - No. 2 in a minor

  - No. 17 in A flat Major

  - No. 15 in D flat Major

· Excerpt from 2nd mov. Largo from the Sonata No. 3 in b minor, Op. 58 (Piano: in the pit)

· From 24 Préludes, Op. 28 (Piano: in the pit)

  - No. 2 in a minor

  - No. 24 in d minor


Marguerite’s summer straw hat promps Armand to resume his story …

Surrounded by reveling friends and ardent admirers, Marguerite continues her turbulent life in the country.

With the inevitable confrontation between Armand and the Duke, Marguerite’s moment of decision arrives. She publicly acknowledges her love for Armand. Armand and Marguerite are alone at last.

Armand’s father recalls with regret his part in the story.

Ashamed that his son is living with a prostitute, Monsieur Duval visits Marguerite in the country. He insists that her relationship with his son will ruin Armand. Shocked, Marguerite protests, but the image of Manon and her admirers appear in memory, a mirror image of her own past, confirming the truth of Monsieur Duval’s accusations. He demands that she leaves Armand. Out of deep and sincere love, Marguerite complies.

Armand tells his father how he found the house deserted.

He waits in vain until Nanina brings him a letter saying that Marguerite has returned to her former life. Unbelieving, Armand runs to Paris, finding Marguerite in the arms of the Duke.



Act 3

· From Grande Fantaisie sur des airs polonais in A Major, Op. 13

· Ballade g minor, Op. 23

· Grande Polonaise brillante précédée d’un Andante spianato in E flat Major, Op.22

· 2nd mov. Romance from Piano Concerto No. 1 in e minor, Op. 11

· Excerpt from 2nd mov. Largo from the Sonata No. 3 in b minor, Op. 58


Armand explains to his father how they met later on the Champs-Élysées.

Marguerite is accompanied by the beautiful young courtesan Olympia. To have his revenge on the woman who had so deeply wounded him, Armand flirts with and seduces Olympia.

Deathly ill, Marguerite visits Armand, begging him not to hurt her by flaunting his affair with Olympia. Their passion ignites once more. Falling asleep, a vision of her alter ego Manon beckons Marguerite back to her former life. Waking, she remembers her promise to his father and silently leaves Armand for the second time.

At a grand ball, Armand publicly humiliates Marguerite by handing her money as payment for past services. Marguerite collapses.

Armand has reached the end of his story. He will never see Marguerite again. Deeply moved, his father leaves, as Nanina returns and gives Armand Marguerite’s diary. Reading, Armand seems to accompany Marguerite on her last visit to the theatre.

Again she views a scene from the ballet Manon Lescaut. This time it is one in which Manon, impoverished like herself, dies in the arms of her faithful lover Des Grieux.

Ill and despairing, Marguerite leaves the theatre, but the characters from the ballet follow her into a feverish dream. As the phantom lovers blend with her own memories, her identification with Manon seems complete. Deserted and longing to see Armand again, Marguerite confides her last thoughts to the diary, which she gives to Nanina for Armand. Marguerite dies alone.

Armand silently closes her diary.